James Abbott McNeill Whistler
La Marchande de moutarde
, 1858
Etching (with margins)
6 3/16 x 3 1/2 inches
French Set ("Douze eau-fortes d'apres Nature" 1858)
Signed and inscribed in the plate
%3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EJames%20Abbott%20McNeill%20Whistler%20%3C/strong%3E%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cem%3ELa%20Marchande%20de%20moutarde%3C/em%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1858%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EEtching%20%28with%20margins%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E6%203/16%20x%203%201/2%20inches%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EFrench%20Set%20%28%22Douze%20eau-fortes%20d%27apres%20Nature%22%201858%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20and%20inscribed%20in%20the%20plate%3C/div%3E
Provenance
Private collection
Note: After visiting Cologne during a summer–fall tour in 1858, Whistler created this image of an elderly mustard vendor who arranges jars within a dim interior, as a young assistant leans against the door jamb. He here establishes a formula to which he would often return—using an open entrance to frame a receding interior containing figures and objects that refer to a particular activity and locale. One of the most complex prints in Douze eaux-fortes d’après nature (Twelve Etchings from Nature), Whistler based the composition on drawings and sent it to the Paris Salon of 1859.
Literature
Kennedy 22 iii/v; Glasgow 20 iii/v;
Mansfield 22